[nutation] records

2011-03-28T11:00:00.002+03:00

[nutation] podcast by [nutation] records

2009-04-24T16:08:00.033+03:00

[nuEP07] Keep On - Nightmare / with rmx from: Octave, Tiari, George Paar by [nutation] records

[nuEP06] Einton Zweiton - Consumer EP / with rmx from: Task kreed, 88uw, Keep On by [nutation] records

Task Kreed & Bibicu - Live @ Red Box (Sighisoara) 19.04.09

2009-04-08T16:22:00.014+03:00

info:

19.04.2009

Red Box prezinta:

ora 23:00 - Bibicu (nutation /sighisoara)
ora 01:00 - Task Kreed (nutation / bucuresti)

[nutation 08] Fouchat - Interfaces

2009-02-07T13:05:00.010+02:00

Artist: Fouchat
Titre: Interfaces
Genre: House
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Size: 162 MB

[nutation 07] Cristi Cons - Calmness

2009-02-07T12:50:00.005+02:00

Artist: Cristi Cons
Titre: Calmness
Genre: House
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Size: 166 MB

[nutation 06] Limpid - Fast Lane

2008-12-14T10:53:00.006+02:00

Artist: Limpid
Titre: Fast Lane
Genre: Minimal ,Techno
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Size: 123 MB

Profound Sound - Task Kreed & Bibicu

2008-06-06T00:18:00.021+03:00

Artist: Task Kreed & Bibicu
Titre: Profound Sound
Genre: Minimal ,Techno
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Size: 205 MB

About Tic Tac Toe Records

2008-05-31T13:49:00.001+03:00

Tic Tac Toe Records was started in 2004 by the Danish DJ, Patrick Bateman.The aim from the beginning was to focus on all the Danish talents that Denmark had to offer at that time, but who didn't have places to release their music. The Danish producers didn't have much network outside of Denmark, and there wasn't any local labels that were releasing techno/tech-house/minimal, as we wanted to do. Besides releasing music from the Danish producers we also wanted to spice it up with remixes from Bateman's big network abroad, and eventually also release records from producers not from Denmark.The first 2 years we had a big focus on Hansen & DJ Daniel, Theodor Zox, BrightLight and Trentemøller. From abroad we took on Ryan Crosson (later on M_nus), Pheek (Archipel), Shadi Megallaa and a few others.On the remix side of things we had Marek Hemmann & Mathias Kaden remixing Trentemøller, Brian Aneurysm (Iron Box Music) and Maetrik (Treibstoff) both remixed Theodor Zox (the Maetrik remix got licensed to Tiefschwarz Fabric mix cd). Gabriel Ananda, Frankie and Kaito remixed Hansen & DJ Daniel. After this period new artists arrived and so did also new Danish labels. We had releases with Maetrik, Danish Cant, Italian Nperfectduo, label owner Patrick Bateman, Jack Rock. On the remix side of things we have had a Guy Gerber remix of Jack Rock, a Massi DL remix of Patrick Bateman (that is still being hammered by Marco Carola), a Ryan Crosson remix of Ecco & Justin Side and Benno Blome, Ink & Needle and Nino Raro did a great remix package of the Noughts And Crosses compilation.Today our main focus regarding Danish artists are: Blagger, Matt Vega, Jack Rock, Theodor Zox, Patrick Bateman. From abroad our main focus are: Swat Squad, Big Bully & Rufas and Shadi Megallaa.Late 2007 also saw 2 other people joining the team of Tic Tac Toe/Connect Four. These 2 great guys are Lars Gregers and Atle Thorberg. Lars will be responsible for the Connect Four A&R and also for updating the layout/graphics for both labels. Atle will be connected on a more freelance basis with helping out regarding various promotion and 'behind the scene' things.So all in all it has been 4 great years so far, and we will continue to give you new exiting music the coming many years.

Artists:

Patrick Bateman
Trentemøller
Swat Squad
Big Bully & Rufas
Maetrik
Shadi Megallaa
Blagger
Jack Rock
Theodor Zox
Matt Vega
Atle Thorberg
Hansen & DJ Daniel
Ecco & Justin Side Ryan Crosson
Orlando Voorn Mike Shannon & Jeff Milligan
Pheek Brian Ffar
Mikael Stavöstrand & Johan Skugge
Brightlight Cant
Tomas Barfod Bigger Than
Jesus Ludovic B & Yves
Nperfectduo
K. Shek & L. Abu-Er-Rub
Mr. Kemi & Amox

Remixers:

Guy Gerber
Ed Davenport
Sarah Goldfarb
Gabriel Ananda
Hemmann & Kaden
Maetrik
Benno Blome
Ryan Crosson
Matt Vega
Blagger
Ink And Needle
Massi DL Frankie Patrick Bateman
Lucy & Chevel Niño Raro
J HunsbergerKaito
Fusiphorm Brian Aneurysm
Lasse Lovelace
Skyboy
DJ Lab Morten FreshDJ Spell
Martin Decara
Ozy

more info:

tictactoe-records.com

http://www.myspace.com/tictactoerecords

About Renaissance

2008-05-24T13:44:00.002+03:00

OVER the last 15 years, Renaissance has established an enviable international reputation for great club nights, star DJs and fantastic music. This is a British club brand that has successfully expanded into international tours, one-off spectaculars, live events, and a series of high-quality mix CDs that have sold millions. For hundreds of thousands of clubbers all over the world, Renaissance nights are synonymous with glamour and excitement - for transforming ordinary clubs into palaces of pleasure. A Renaissance night is not just about dancing, but about an all-encompassing nightclub experience.And it's been that way since the very beginning.When the club first opened with a sold-out night in 1992 in the small Northern town of Mansfield, 3,000 eager clubbers who'd traveled from all over the country were locked outside, clamouring to get in. Inside the venue was decked out like a 16th Century Italian palace, with vast, distressed Renaissance paintings projected onto the walls - and the world's hottest DJ, Sasha, on the decks. At the time, this was revolutionary. The British club scene was still reeling from the sci-fi imagery and dressed down fashions of the 'rave' scene when Renaissance exploded onto the scene. Its luxurious d?cor, glamorous crowd and high-quality music transformed the British club scene; its ambitious marketing campaigns were quickly aped - and the so-called 'superclub' was born. The club even launched the career of Sasha's DJ partner John Digweed - now one of the biggest names in dance music.Renaissance was the first British club to really utilise the power of design and marketing. That dynamic and stylish use of design continues to define the brand today. This is a club that thought big from the beginning. For the 1992 launch, the club's grand Renaissance imagery and distinctive logo was spread across glossy full-page ads in all the leading youth/style magazines. This established a template for publicising and defining a club night that hundreds of British clubs soon began to copy.In 1994, Renaissance was behind another first: the world's first DJ mix CD. Helmed by Sasha and John Digweed, the 'Mix Collection' took the brand around the world and catapulted both DJs into international touring careers they continue to enjoy today.Renaissance enjoys a unique connection with the more discerning clubber. Its hedonistic, high-spending audience love designer fashions and thrive on the luxury of the d?cor, the euphoric atmospheres, and the exclusive feel of the club. Renaissance has exported these unique brand values all over the world and continually met the expectations of successive generations of demanding clubbers.

RENAISSANCE SPECTACULARS

SINCE those ambitious beginnings in Mansfield, Renaissance has consistently elevated its standards for event management and production. In 1994, the club began an impressive series of large-scale one-off events. The concept was to select locations as grand and ornate as the club itself and some of the UK's most beautiful castles and stately homes hosted club extravaganzas for one unforgettable night. Nottingham's magnificent Colwick Hall, a Grade 2 listed building, was home for the first event - a famous New Year's Eve party in 1993/4. The cathedral interior of Birmingham's historic Que Club was transformed into a heavenly disco boudoir for the second birthday, with clouds hanging above the dance-floor. Other venues have included Yorkshire's palatial Allerton Castle.On May 1st 2004, Renaissance staged an 8,000-capacity spectacular at 17th Century Staffordshire manor house Shugborough Hall, called Wild In The Country. The Scissor Sisters made their UK festival debut, Infusion, Neneh Cherry, Dave Seaman, Infusion and Derrick Carter all appeared. And the two DJs historically associated with the club, John Digweed and Sasha, made their first joint Renaissance appearance for a decade. Wild In The Country was rewarded with acres of glowing press coverage and a live broadcast on the BBC, on Radio 1's world-famous Essential Mix. This combination of prestigious locations and impeccable production values has become Renaissance's trademark. The 15th Anniversary celebration at legendary music venue Knebworth House in 2007 was further celebration of this concept, on a scale unprecedented even by Renaissance's standards. Headlined by Underworld, Sasha & John Digweed, Hot Chip, Ricardo Villalobos and 2ManyDJs to name but a few, it was the most significant event in the brands history. 2008 will see the expansion of Wild in the Country in the UK with plans in the pipeline for several more WITC events across Europe.

RENAISSANCE IBIZA

AS the jetsetters and celebrities - from Jade Jagger to P Diddy - all know, Ibiza is the world centre for dance music and youth culture, attracting international tribes of revellers and holidaymakers year after year. The White Island is the real test for any club brand's relevance - and Renaissance has conquered some of its finest clubs and largest crowds in a twelve-year history of glorious Balearic parties. The club landed in Ibiza in 1995 with a splash. The first night was collaboration with the world-famous Manumission at the world's biggest club, the 8,000 capacity Ku (now Privilege), which lead to a 4-year residency at Pacha, the island's most exclusive, stylish club. Then, just as Ibiza was becoming stale, Renaissance raised the stakes again with a series of daring live events. Renaissance Live launched in Summer 2000 at Privilege with major live acts performing every single week. This had never been done before in Ibiza. Each week, Privilege was transformed into part club/part live concert; acts included Leftfield, Kylie, Moloko, Moby and All Saints, resulting in coverage from Radio 1, BBC television, Channel 4, Sky and MTV. Following the 'Live' shows Renaissance returned to their spiritual home Pacha, by way of a season at Amnesia. This culminated in a full, fortnightly residence in 2007, a total of 7 shows across the season. During their time at Pacha, Renaissance have again played host to the world DJ elite, with highlight sets coming from established favourites and future stars such as Sasha, John Digweed, Faithless (DJ Set), Eric Prydz, Steve Lawler, Hernan Cattaneo, Sander Kleinenberg, Danny Howells and James Zabiela to name but a few…

RENAISSANCE INTERNATIONAL

BY early 1995, the brand's fame, fuelled by the success of Sasha and John Digweed's 'Mix Collection', reached all over the globe. With demand growing internationally, the club embarked on an extensive worldwide tour that continues today. All the key elements of the brand - the luxurious d?cor, state of the art production and unique musical style - are exported and foreign clubs transformed into Renaissance for one night. And over three million clubbers worldwide have now enjoyed Renaissance nights.Clubs in Buenos Aires, Auckland, Sydney, Melbourne, Perth, Tokyo, Seoul, Beijing, Hong Kong, Singapore, Kuala Lumpur, Moscow, Budapest, Cairo, Dubai, Athens, Paris, Amsterdam, Berlin, Lisbon, Rome, Milan, Turin, Oslo, Helsinki, Stockholm, Riga, Belgrade, Budapest, Bucharest, Zurich, Barcelona, Madrid and Ibiza have all hosted Renaissance nights. Demand is such that Renaissance still holds residencies worldwide - and each year participates in landmark ceremonies as diverse as Sydney's Mardi Gras and Hong Kong's Chinese New Year. Just two examples of how flexible an export the Renaissance club concept is today. In more recent times, Renaissance has held stages at Germany's Nature One festival, Dance Valley in The Netherlands, Serbia's Exit Festival and Green Beat Festival and Hungary's Sziget Festival. In 2008, Renaissance are set to take their impressive Wild In the Country Festival across the globe.In addition to this impressive global itinerary, for the last 12 years Renaissance enjoyed a monthly residency at one of London's best-loved clubs - The Cross. As London's notoriously fickle club-land shuddered through one fashion after another, Renaissance continued to renew its audience, bringing cutting edge DJs, stylish designs and delirious crowds to the intensely atmospheric club in three arches. As The Cross closes its doors for the last time, Renaissance will continue to create a series of special events in different locations across the capital in 2008.

THE RENAISSANCE SOUND

Renaissance have been immortalised in dance music history through the seminal 'Renaissance - The Mix Collection' compilation album, released in 1994.Mixed by Sasha & John Digweed and recently voted 'The Best Mix Compilation Ever' by 'Mixmag' magazine, the lavishly packaged triple CD was the first gold-selling club compilation album - it transformed the dance compilation business overnight. Since then Renaissance has sold far in excess of a million albums in territories all over the world. The successful singles label & compilation business was launched in 1999 and has continued to release material with some of the highest profile artists in the industry as well as emerging talent - maintaining the core following whilst evolving the forward thinking sound. The standards have always remained uncompromisingly high, with a roster that sees Renaissance currently working with artists of unparalleled standing in the industry - such as John Digweed, Steve Lawler, Sander Kleinenberg & Hernan Cattaneo - as well as providing a home for the rising stars of the scene, having released the first ever artist album on the label in 2007 from Shlomi Aber.Renaissance has always been at the forefront of innovation and in 2001 released their Ibiza album, taking inspiration from the brand's legendary residencies on the island. The initial album sold 110 000 units in 5 weeks giving rise to an annual series as well as spawning a glut of imitators. In recent years the recordings department has continued to expand with a new flagship series '3D' becoming a vehicle for global stars such as Faithless to work under the umbrella of the label: an album which has sold over 60 000 units worldwide and confirmed Renaissance's reputation for delivering beautifully presented, high quality mix CDs.

more info:

http://www.myspace.com/renaissanceonline

http://www.renaissance.com/

[nutation 05] Cristi Cons - Splash

2008-05-23T11:38:00.009+03:00

Description:

Artist: Cristi Cons
Titre: Splash
Genre: House
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Lenght: 61:37 min
Size: 141 MB

[nutation 04] Homing Pigeon - Ignition

2008-05-12T16:07:00.004+03:00

Description:

Artist: Homming Pigeon
Titre: Ignition
Genre: Techno
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Lenght: 67:10 min
Size: 153 MB

House Boy @ one guest (one fm)

2008-05-05T20:43:00.000+03:00

info:

13.04.2008

one guest prezinta:

ora 19:00 - House Boy

Task Kreed @ clubbing session (radioson)

2008-04-09T11:17:00.000+03:00

info:

17.04.2008

clubbing session prezinta:

ora 22:00 - Task Kreed

Task Kreed @ open minded(radiodj.ro)

2008-04-08T23:37:00.001+03:00

info:

12-04-2008

open minded prezinta:

ora 18:00 Akathen & Yvi
ora 19:00 Task Kreed

[nutation 03] Limpid - I.F.M.A

2008-04-01T23:55:00.004+03:00

Description:

Artist: Limpid
Titre: I.F.M.A
Genre: Techno , Minimal tech
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Lenght: 51:41 min
Size: 47.3 MB

About Perctrax label

2008-03-22T10:07:00.001+02:00

Perctrax has been established by rising dance producer Ali Wells. Cambridge born and London based 27 year old, Ali, aka Perc, Spartak and Votion, could be accused of being a musical obsessive, with a career that takes in spells in rock and indie bands, various dj-ing residencies, soundtrack work and his final destination as a producer of some of the most innovative yet accessible dance music currently in circulation. After completing 5 years of music business and music production training in Manchester and Newcastle (UK), Alistair spent a brief time at the now legendary Platipus Records cutting his teeth. The next stop was to UK heavyweights, Prime Distribution, where he quickly rose to label manager for their 6 in-house labels including the globally recognised techno of Primate and Primevil labels and the progressive/tribal Premier Sounds imprint. Working with such a range of quality labels and deriving influences from the likes of Underground Resistance, Danny Tenaglia and drum & bass, Ali is original in his diversity while still being hugely dance floor friendly, a rare feat indeed. Ali’s unmistakeable percussion led sound was originally championed by James Holden who signed him to his own ‘Easy Access’ label and since his early releases and remixes on Easy Access and Silver Planet his music has found favour with dj’s, producers and clubbers across the globe. Ali’s range of supporters is more diverse than many other producers with his releases getting glowing reactions from Deep Dish, Paul Oakenfold, Anthony Pappa, Dave Seaman, King Unique, X-press 2, Moshic, Chris Fortier, Hybrid, John ‘00’ Fleming, DJ Chus, Marco V, Tom Stephan, Bill Hamel, Max Graham, Saeed & Palash amongst others. The list of labels he has graced continues to grow and now includes Choo-Choo, BXR, Premier Sounds, 19Box Japan, Limbo, Midset and Source Of Gravity. At the beginning of 2003 Ali produced a run of remixes that reflected his growing profile with him earning the honour of remixing one of the tracks from the long-awaited Mara album on Choo-Choo and receiving remix requests from as far away as 19Box Records in Japan. Later in 2003 he released ‘Life/Big Blue’ on Mara’s Choo-Choo Records and started to put plans in place for his own Perc-Trax imprint.

Discography

Singles

Perc: Closer (Nathan Fake Remix) Premier Sounds
Spartak: Life / Big Blue (Choo-Choo)
Perc: Morning, Evening & Afternoon/Closer (Premier Sounds)
Spartak: Swallows & Amazons (Choo-Choo)
Votion: Votion/Strider (Silver Planet)
Perc: I Make Nuclear/Trailer Perc Trash (Easy Access) Remixes
Pagano: Return To Me (Ali Wells Remix)
BXR UK Sterio & McGrath: Hostile Ground (Source Of Gravity)
Ambrozia: It’s U (Spartak VS Perc Dub) 19Box Records
Japan Mara: Satisfy Me (Spartak Remix) Choo-Choo
Ambrozia: It’s U (Perc Remix) 19Box Records
Japan ADF: Destination 2 (Perc Remix)

Premier Sounds Meizon: Aeon (Perc Remix) Source Of Gravity

Avus: Dark Purpose (Perc Mix) Midset

Ogenki Clinic: First Light (Perc Remix) Easy Access/Unreleased
Nicholas Freeman: Renaissance (Perc Remix) limbo/Resurrection

Julez: My Groove (Ali Wells Remix) Premier Sounds

Ben Pound: Turned (Perc Remix) Easy Access
Rhythm Unlimited: Feel This (Perc Remix) Silver Planet

With Perc-Trax, Ali will be taking full control of A&R duties and releasing the cream of his own output. This added to productions and remixes from some of the most innovative, forward thinking producers in dance music ensures Perc-Trax will be one of 2004 labels to watch.

more info:

http://www.myspace.com/perctrax
http://www.perctrax.com/

new news:

Perc - Bumble’s Collar (Stolen Moments)
Bumble’s Collar will be the A-side of a 3-track, various artists EP on Dutch label Stolen Moments. There is also a dub mix by me which will be digital only. Its in the myspace player now.
Out in May. Not sure of the exact release date yet.

About Cadenza records

2008-03-21T12:10:00.001+02:00

Cadenza Records is a space for music to grow, rise and blossom. It is an accesible plattform created to receive new people, projects and their influences. By continously searching and progressing, we are a part of the evolution. We are all spiritual people, free as our music, and we live for that reason.

Cadenza is owned by Luciano & Serafin.

Distributed by Wordandsound

Sublabel: Cadenza Split Composition

Discography:

CADENZA 01 Luciano & Quenum Orange Mistake (12")

CADENZA 02 Lucien–N–Luciano / Pier Bucci Stone Age / Amael (12")

CADENZA 03 Quenum & Lee Van Dowski* Extension (12")

CADENZA 04 Luciano & Serafin Funk Excursion (12")

08 Ricardo Villalobos Achso EP (CD, EP)

CADENZA 01 Luciano & Quenum Orange Mistake / Funky Dandy (12", Gen)

CADENZA 05 NSI Max Binski (12")

CADENZA 06 Luciano Bombero's / Octogonal (12")

CADENZA 07 Digitaline Rubicube / Belladone (12")

CADENZA 08.10 Ricardo Villalobos Achso (2x12", EP)

CADENZA 05.5 NSI Clara Ghavami Extended (12", S/Sided, Ltd)

CADENZA 09 Salif Keita / Pepe Bombilla Yamoré (Remix) / Harmonics Crashes (12")

CADENZA 11 Thomas Melchior & Luciano Solomon's Prayer / Father (12")

CADENZA 12 Pikaya / Andomat 3000 & Jan Grüne Raufaser / Entr'acte Music (12")

CADENZA 12 Pikaya / Andomat 3000 & Jan Grüne Raufaser / Entr’acte Music (12", Promo, W/Lbl)

CADENZA 13 Loco Dice Harissa (2x12", EP)

CADENZA 13 Loco Dice Harissa (2x12", EP, Gen)

CADCD02 Luciano Cadenza Contemporary 01 & Cadenza Classics (CD + CD)

CADENZA 14 Digitaline Anticlockwise (2x12", Album)

CADENZA 15 Andomat 3000 & Jan L Delay (12")

CADENZA 16 Argenis Brito Micro Mundo (2x12", Album)

CADENZA 17 Pikaya Kambrium (12")

CADENZA 18 Alejandro Vivanco Madre Tierra (12")

CADENZA 19 Digitaline Honolulu (12")

CADENZA 20 Petre Inspirescu Tips (2x12", EP)

CADENZA 21 Luciano Études Électroniques (2x12", EP, Promo)

CADENZA 21 Luciano Etudes Electroniques (2x12")

CADENZA 23 Schneider* , Galluzzi* , Schirmacher* Albertino And Nora P (12", Promo)

CADENZA 23 Schneider*, Galluzzi*, Schirmacher* Albertino And Nora P (12")

CADENZA 24 Reboot (3) Be Tougher / Letters (12", Promo)

CADENZA 22 Rhadoo Dor Mit Oru (2x12", EP, Promo)

CADENZA 24 Reboot (3) Be Tougher / Letters (12")

cadenza records artists:

Alejandro Vivanco

Andomat 3000

Andre Galluzzi

Argenis Britto

Digitaline

Florian Schirmacher

Guido Schneider

Jan

Lee Van Dowski

Loco Dice

Luciano

Michel Cleis

Mirko Loko

Thomas Melchior

N.S.I

Petre Inspirescu

Pier Bucci

Pikaya

Ouenum

Reboot

Rhadoo

Ricardo Villalobos

Serafin

more info:

http://www.cadenzarecords.com/

http://www.myspace.com/cadenzarecords

About [Variance] recordings

2008-03-21T11:49:00.001+02:00

[variance recordings] was started in the summer of 2007 with the aim to deliver a blend of melodic, deep, dark, techno beats. The labels output has variation on the remixes and is there to reach to all connoisseurs of electronica. October saw the first release by Martin Brodin which set the label off and running with big hype and solid reviews. Sunshine Lover moved [variance] to the next level with 6 Essential selection plays, it was one of the biggest records of 2007. 2008 is going to be even bigger with some big records lined up , a radio show on Proton, a podcast series and the creation of [variance at night] which will be a rave in Dirty warehouses, car parks, quarries, arches, large houses, derelict buildings, caves, woods and anywhere you want it to be.

Discography:

VAR 001 Martin Brodin - One (12")
VAR 002 Sam Ball - Sunshine Lover (12")

[variance] recordings artists:

Martin Brodin

Adultnapper

An-2

Sam Ball

Perc

Tom Pooks

Jamie Mchugh

Koljah

Warbgasm

Jonas Kopp

Mazi

Kevin Gorman

more info:

http://www.myspace.com/variancerecordings

variancerecordings.com

comment: un label care are acelasi principiu si directie ca [nutation] netlabel pe partea de promovare a sound-ului "A deep, dark fusion of electronic minimal & techno beats"

About Stfumusic

2008-03-21T00:58:00.001+02:00

STFU is an international non-profit open collective of electronic musicians, visual artists, netlabels and promoters who organize concerts of electronic and experimental music using the internet as their main means of communication. It is a network of groups and individuals who come together to make live electronic music events happen. How does it work? An individual or group of individuals take the lead to make an event happen in their area.

The STFU site is designed to provide a focal point for information regarding events. It is designed to inform people that an event is being planned or has been planned and to provide feedback from past events.

more info:

http://www.myspace.com/stfucollective

http://www.stfumusic.org/

About Artificial Silence recordings

2008-03-20T23:10:00.001+02:00

Artificial Silence is a record label based in Glasgow, formed at the start of 2007. The aim of the label is to release quality produced electronic music focusing on house, techno and minimal.

Discography:

Gary Beck - Retour - ASR 001
Broken Channel - Always Late EP - ASR 002
Harvey McKay - Frequency EP - ASR 003
Jon Virtue - Malicious/Shake the Logic ASR 004
Jean Ramesse - Beef Olympics EP - ASR 005

Up & coming;

Harvey McKay - Kontroller EP - ASR 006
Mode Kontrol - Mortons Fork EP
Judo Being - Dirty Washing EP ASR 008
Hans Bouffmyre - Praha/Second Thought ASR 009
Various Artists - Remix Pack ASR 010

artificial silence artists:

Gary Beck
Brokenchannel
Flidds Partial
Jon Virtue
Mitch
John Cannon
Judo Being
Harvey McKay
Mode Kontrol
Jean Ramesse
Hans Bouffmyhre

About Alphahouse label

2008-03-20T22:56:00.001+02:00

Discography:

[alphahouse 00] Butane and Friends - The Sound of Digi Down (March '05)

[alphahouse 01] Butane and Friends - This is 01 (Nov 2005)

[alphahouse 02] Butane and Someone Else - Tigerbitch (Jan 2006)

[alphahouse 03] Miskate - Espirit (June 2006)

[alphahouse 04] Ion Ludwig - Gaugemela Incode (June 2006)

[alphahouse 05] Franco Cinelli - Profundo Amor 2x12" (Sept 2006)

[alphahouse 06] Sr. Replicante - Modulos (Jan 2007)

[alphahouse 07] Funzion - Stelle (June 2007)

[alphahouse 08] Kai - Gakuon (Sept 2007)

[alphahouse 09] Quenum - Agbaja (November 2007)

[alphahouse 10] Butane - Becoming 2x12" (March 2008)

[alphahouse 11] Eklipse - Bipolar (tba)

[alphahouse 12] Ryan Crosson (tba)
[alphahouse limited 01] Lexdinamo vs. Gurtz - Sakis (Dec 2006)

[alphahouse limited 02] Grinser - Swallow (February 2007)

[alphahouse limited 03] Someone Else - Bedroom Eyes Remixes (April 2007)

alphahouse artists:

butane

run stop restore

heartthrob

dennis rodgers

jeremy p caulfield

dapayk

phil quenum

miskate

bruno pronsato

someone else

troy pierce

frivolous

ion ludwig

franco cinelli

nico purman

gurtz, funzion

sr replicante

the kooky scientist

kai

dandy jack

lexdinamo

pheek

fumiya tanaka

grinser

About Vakant label

2008-03-20T22:23:00.001+02:00

Room to let: welcome to vakant. At least since the Sex Pistols, "vacant" has been, well, not so pretty a term, signifying the empty, the shallow, the vacuous: the hollow men, with holes for hearts and heads. But Berlin’s vakant label gives the word a new meaning. Like so many electronic labels, Kompakt, Warp, and ~scape among them, vakant refuses to take space at face value, choosing instead to put a kink in the works, a kick where you least expect it, a cold compress on an 808 heatwave. At its simplest, "vakant" might stand for the spaces left between the beats. This is, after all, a "minimal" label, where melody’s a thing less glaring than glanced at, where every beat is bracketed by another, be it brother, ghost, or doppelgnger. You groove to the 4/4 inevitable, you glom to the handclaps on the 2 and 4, regular as Greenwich Mean. But the swerve is in the spaces left unsaid and the hiccups that make a ritual out of happenstance. (Classical music has its accidentals; techno, born of African drumming and cranky machines, takes the idea into a new, rhythmic realm, and vakant’s riding shotgun the whole way.) But vakant is alsoand more importantlya label that leaves that crucial space for the very idea of "minimal" to develop, that recognizes its place in a lineage (after all, we’ve been doing this minimal thing since Rob Hood, people; since Baby Ford, since "Baby Wants to Ride"). "Minimal," the descriptor, is already wearing out its welcome, wrinkling under overexposurehow do you spread SPF60 on a nonentity? But vakant’s one of those labels that still realizes that minimal is a strategy, not a tag; a way of linking all those micro-events and incidental sounds into something coherent and moving and yeah, still quite surprising. A way of spinning peaks and troughs into something warm and fuzzy as a cat’s purr (or, for that matter, as final as a crack in the ice underfoot). vakant, valorizing open space, has also become a place for known entities to explore alter egosfor top talents to fashion other sounds. Links, connectors, crossovers: vakant is filling in the empty spaces. There’s always room at the top.

Profile: German Berlin based label for minimal techno run by Alex Knoblauch and Stephan Bolch.

Sublabels: Vakant R, Vakant X

Discography:

none Alex Smoke Ring.Click.Tink EP (File, MP3)

VA 001 Alex Smoke Simple Things EP (12", EP)

VA 002 Robag Wruhme Stekkrüben EP (12", EP)

VA 003 Alex Smoke Ring.Click.Tink EP (12", EP)

VA 004 Mathias Kaden Circle Pit EP (12", EP)

VA 005 Onur Özer Envy EP (12", EP)

VA 006.1 Alex Smoke Shwingnut EP (12", EP)

VA 006.2 Alex Smoke Shminimal EP (12", EP)

VA 007 Mathias Kaden Pentaton EP (12", EP)

VA 008 Onur Özer Twilight EP (12", EP)

VA 009 Tolga Fidan Now I'm Weak EP (12", EP)

VA 010 Quixote Pap And Fickle EP (12", EP)

VA 011 Mathias Kaden Synkope EP (12", EP)

VA 012 Onur Özer Red Cabaret EP (12", EP)

VA 013 Alex Smoke Hanged Man E.P. (12", EP)

VA 014 Tolga Fidan Venice / Tanbulistan (12")

VA 015 Mathias Kaden Myal EP (12", EP)

VA 016 Onur Özer Kaşmir (3x12", Album)

VA 017 Nico Purman* Tuesday EP (12", EP)

VACD01 Various Momentum: A Vakant Mix Compilation (CD, Enh)

VACD02 Onur Özer Kaşmir (CD, Album)

vakant artists links:

www.myspace.com/alexsmoke1
www.myspace.com/mathiaskaden
www.myspace.com/nicopurmanmusic
www.myspace.com/onurozer
www.myspace.com/spenzavx
www.myspace.com/tolgafidan

Nights.ro Awards 2008

2008-03-20T14:48:00.001+02:00

vineri, 28 martie 2008, World Trade Plaza - Sofitel

Main: Cel mai bun DJ roman in 2008

Special Guests: SAMIM (Live), Miguel Toro (Percutii)

Warm Up: Faster, Narcissa (FWD Agency)

Evenimentul va fi prezentat de Cosmina Pasarin

Premiul pentru Cel mai bun DJ Roman va fi oferit de http://www.djsuperstore.ro/

Lasers by: http://www.lasershows.ro/

Pret bilet:

20 lei intre orele 22:00 - 00:00

30 lei intre orele 00:00 - 01:00

40 lei intre orele 01:00 - 06:00

Sponsori: Jagermeister, RedbullParteneri: ONE FM, b24fun, muzicabuna.ro, compact, memoriesbox, feeder.ro, sjsuperstore, anyplace.ro, clubevents.info, beatfactor.ro, techno.ro, fotoclubbing, www.25h.ro, sofresh, anytime.ro, afterparty.ro, lasershows.ro

About Samim:

Jumatate elvetian si jumatate iranian, Samim a fost expus unor numeroase influente muzicale de-a lungul vietii, incepand cu hip hop si terminand cu industrial, influente care aveau sa-l duca, intr-un final, pe drumul catre muzica electronica. Dupa ce si-a unit fortele cu Michael Ho, a inceput sa produca muzica sub numele de Samim & Michal. Primul lor EP, intitulat Dini Muater, lansat la un label elvetian numit Stattmusik, le-a pavat drumul catre succes. Astfel, cei doi au lansat numeroase EPuri la case de discuri precum Tuningspork, Freizeitglauben sau Kindisch, dezvoltandu-si, astfel, o identitate muzicala. Spre sfarsitul anului 2005, Samim si-a facut bagajele si a pornit spre orasul care naste cele mai mari talente muzicale, Berlin. Fara urma de indoiala, acel pas a fost definitoriu pentru cariera sa, adaptandu-se rapid la scena berlineza. A lansat o serie de viniluri la labeluri precum Circus Company, Moonharbour si Tuningspork si, pentru ca popularitarea sa atinsese cote impresionante, a primit cereri de remixuri de la labelurile Get Physical, Highgrade si Creosstown. Dupa o perioada nebuna de evenimente care l-au avut ca invitat special, Samim s-a intors in studio pentru a inregistra primul sau album solo, lansat in septembrie 2007, la Get Physical Music, numit Flow. Discul este unul plin de creativitate, o declaratie muzicala puternica care prevesteste viitorul muzicii electronice. Totusi, succesul artistului Samim a venit odata cu piesa Heater, care, desi s-a departat de productiile sale ceva mai underground, pastreaza amprenta artistului. Astfel, Samim reuseste sa castige fani atat prin productiile dedicate exclusiv ringului de dans, cat si prin piese de radio, difuzate in heavy rotation. Trupa M.A.N.D.Y declara despre colegul de casa de discuri faptul ca Samim nu si-a dorit sa lanseze o piesa de radio, ci s-a trezit peste noapte cu Heater difuzata pe toate posturile. "Samim nu a crezut vreodata ca piesa Heater va deveni un hit international, cu atat mai mult cu cat intentia sa a fost de a produce o piesa pentru ringul de dans, nu pentru radio sau tv. Dar, daca tot s-a ajuns aici, fie ce-o fi", a declarat M.A.N.D.Y intr-un interviu pentru Nights.ro. Modul in care face o petrecere sa iasa de minune l-a transformat intr-un timp relativ scurt in unul dintre cei mai cautati entertaineri din ultimii ani.

Beatport Music Awards 2008

2008-03-20T14:27:00.001+02:00

Welcome to the 2008 Beatport Music Awards, recognizing electronic music talent.
Nominees for the Beatport Music Awards (BMAs) are solely based on unit sales at Beatport.com (during 2007).
The BMAs are broken down by genre allowing you to vote only for the music categories that interest you. More importantly, artists from each genre have the chance to be recognized for their hard work.
The results of the 2008 Beatport Music Awards will be revealed on Monday April 28th on Beatportal.com.

[nutation 02] Tom Azbe - promo record (2007)

2008-02-29T10:38:00.001+02:00

Description:

Artist: Tom Azbe
Titre: promo record
Genre: Minimal , Minimal tech
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Lenght: 59:35 min
Size: 81.8 MB

[nutation 01] Aviator - promo record (2007)

2008-02-29T10:34:00.001+02:00

Description:

Artist: Aviator
Titre: promo record
Genre: Minimal , Minimal tech
Quality: VBRkbps / 44,1kHz / Joint-Stereo
Lenght: 52:41 min
Size: 72.3 MB

Bibicu

2008-02-27T13:37:00.009+02:00

//Biog:

Calatoria muzica a lui Bibicu a inceput pe la varsta de 14 ani cand a inceput lectiile de pian (timp de 8 ani) urmand atent simfonica marilor compozitori din trecut. A urmat o schimbare radicala - paralel cu noul trend al vremii si un nou stagiu muzical - formatia de Hip-Hop din care facea parte in liceu (White MC`s). In perioada facultatii lucrurile s-au concretizat cand a inceput sa aprofundeze muzica reggae, cu infulentele dub, stil care a generat postamentul tehnicii de mixat al muzicii electronice actuale: pe langa pionerii Kraftwerk, Jean Michel Jarre sau Prodigy, Lee "Scratch" Perry a fost primul care a nascut ideea de mixing pe piesa (masuri repetitive cu efecte aplicate). Astazi, Bibicu considera ca muzica electronica corelata cu arta mixatului reprezinta cea mai complexa forma muzicala de pana acum. E vorba de un calcul matematic precis quantificat periodic printr-o miscare de potentiometru, fenomen ce naste in mintea si sufletul ascultatorului un sentiment de satisfactie si placere auditiva.
Primul gig la care a mixat a fost in Club Kilowarrs din orasul sau natal (Sighisoara) prin 2006. A fost clubul care a continuat curentul muzical electronic pornit de primul club de techno din tara din acelas oras, pe vremea cand Martinul era inca un cinema.
Dupa cateva petreceri s-a reintalnit cu Alecs Kay si au pornit impreuna proiectul "Knights For Knowledge" cu obiectivul de a aduce mai multa lume in club, de a creste awareness-ul acestui stil muzical. In vara 2006 proiectul "We Love Summer Nights" s-a bucurat de un succes real cand au reusit performanta de a tine clubul plin timp de 4 zile consecutive, 8 nume in lineup si pornirea colaborarii cu membri din viitorul label Nutation.
Intrebat intr-o dimineata care e rasplata pentru organizarea si promovarea petreceriilor, mixatul ... care e rasplata pentru ce face, Bibicu a raspuns: "In momentul teasing-ului unei piese cand te joci cu ea si cu efectele, iar oamenii se uita la tine si asteapta beat-ul si tipa si ridica mainile in aer ... cel care e la pupitru e cel mai fericit om de pe pamant in acel moment. Asta e tot ce-ti doresti, sentimentul asta e nepretuit. Imi aduc aminte intr-o dimineata cand a venit un pusti sa-mi multumeasca pentru muzica, pentru petrecere si pentru ca am mixat. Eh ... acest gest face mai mult decat orice suma de bani".
Treptat a inceput sa studieze substiluri ale muzicii electronice si diferiti producatori, fiind in cautarea acelui stil specific Bibicu, stil ce a inceput sa capete culoare in urma colaborararii cu Monoroom (Germania).
In club isi customizeaza vibe-ul in functie de feedback-ul publicului. Astfel seturile lui sunt tech/techno cu influente minimal si atitudine germana, si au mereu ceva nou fata de precedent.

//More info:

http://www.bibicu.net/
http://www.myspace.com/bibicumixing

Brainwashed

2008-02-12T13:21:00.009+02:00

//Biog:

Brainwashed s-a format in octombrie 2003 de catre Limpid si Task Kreed, care aveau 19 ani la vremea aceea si erau pasionati de curentulelectronic si Dj-ing. La inceput au avut influenta Dj-ilor old school cum ar fi Anthony Pappa, Sasha, Deep Dish, Steve LawlerDanny Rampling, X-press2 si multi altii. Brainwashed au avut gig-uri la petreceri private pentru cercuri restranse de iubitori de muzica elecrtonica, un curent ce era in plina ascensiune la vremea aceea.Au avut giguri in cluburi cum ar fi CuandoTunnel, Space, in Bucuresti. In 2005 au fost rezidenti in Clubul Affinity, dar rezidenta nu era un stil de Dj care sa le fie peplac, si s-au orientat spre gig-uri in alte orase. Brainwashed a mixat in Sighisoara la festivalul medieval in 2006 si in clubulOffice in 2007, si in Craiova la clubul All stars, si la cateva petreceri private la Snagov.In 2006 Task Kreed a infiintat labelul .[nutation]. care a inclus Brainwashed la inceput si acum numara 14 dj din toate partileRomaniei, cu stiluri si viziuni diferite, dar cu un lucru comun, pasiunea pt muzica.Stilul abordat este underground Techno, si ca trade mark se observa linia hard bass si sunete psychedelice.Brainwashed sunt intr-o cuntinua dezvoltare si elaborare a stilului care este unic, dar cauta cum spun surferii "valul perfect"sa vina pentru a dezvolta noi sunete si tehnici de mixat si de compozitie a seturilor. Scopul celor 2 dj este de a ajungesa promoveze muzica lor originala la cati mai multi oameni posibil, contribuind astfel la cresterea calitatii muzicii electronice.

//More info:

http://www.myspace.com/brainwashed01

21 - 22 - 23 dec 2007

2008-02-12T12:56:00.000+02:00

Vineri - 21 dec.2007
Cristi Cons & Fouchat
Homing Pigeon

Sambata - 22 dec.2007
Brainwashed (task kreed & limpid)
Bibicu
Aviator

Duminica - 23 dec.2007
Haute Culture (Suie Paparude) & Atari
Alecs kay

14 dec 2007

2008-02-12T12:52:00.000+02:00

Vineri 14.dec.2007

BIBICU
Alecs kay (nutation/midnights)

07 dec 2007

2008-02-12T12:51:00.001+02:00

07.dec.2007

Alecs Kay (nutation/midnights)

Alex

30 nov 2007

2008-02-12T12:49:00.001+02:00

30.nov.2007

Task Kreed (nutation/midnights)
Alecs Kay(nutation/midnights)

23 nov 2007

2008-02-12T12:48:00.001+02:00

23.nov.2007

Claudiu aka Tall-Edd (nutation / midnight)
Alecs Kay (nutation / midnight)

16 nov 2007

2008-02-12T12:46:00.001+02:00

16.nov.2007

Limpid (nutation / midnight)
Alecs Kay (nutation / midnight)

09-10 nov 2007

2008-02-12T12:44:00.000+02:00

09.11.2007

Homing Pigeon (nutation/midnights)
Alecs kay (nutation/midnights)

10.11.2007

Cristi Cons (nutation/midnights)
Fouchat (nutation/midnights)

Alesc Kay

12 oct 2007

2008-02-12T12:43:00.001+02:00

12.10.2007

Bibicu (nutation)

Alecs Kay (nutation)

21 sept 2007

2008-02-12T12:41:00.000+02:00

Vineri 21.09.2007

Alecs Kay (nutation)
Alex Kingnon

07 sept 2007

2008-02-12T12:39:00.000+02:00

07.09.2007

Alecs Kay (nutation)

Alex Kingnom

18-19 mai 2007

2008-02-12T12:36:00.000+02:00

Vineri 18.05.2007

Alecs Kay (nutation)

Alex Kingnom

Danny the Wolf

Sambata 19.05.2007

Alecs Kay & Bibicu (nutation)

Clestera

23 feb 2007

2008-02-12T12:33:00.000+02:00

23.02.2007

Dan Andrei

Dorien aka Cristi Cons (nutation)

Tom Azbe

2008-02-12T12:28:00.005+02:00

//Biog:

Născut în 1985 la Satu Mare, singurul avantaj pentru mine a fost acela că am locuit lângă graniţă şi am avut posibilitatea de a intra în contact la o vârstă destul de fragedă cu anumite materiale care mi-au fost foarte folositoare pentru dezvoltarea mea muzicală.
Aşa am primit în 1997 un cd din Olanda care conţinea hardcore, techno şi rave. Îndrăznesc să spun că acesta a fost primul meu contact cu muzica electronică. Deşi tatăl meu avea un pick-up şi câteva vinyluri cu Vangelis şi Kraftwerk eu nu am observat acest lucru. Singurul lucru pe care mi-l aduceam aminte era acea voce ciudată venind dinspre camera de zi care zicea „Trans...Europe...Express”.
Trebuie să recunosc că nu mă simt foarte influenţat de aşa-numita scenă din Detroit şi mi se pare puţin hilar faptul că dj de 22-24 de ani vorbesc despre cultura techno din Detroit şi influenţa pe care aceasta a avut-o asupra lor. În ceea ce mă priveşte, influenţa venea din Europa, mă refer la Germania, Olanda şi puţin din Suedia.
În acea perioadă a apărut pe scena techno din Germania imnul Mayday denumit Imperiul Sonic. Cred că acela a fost momentul când am realizat că sunt pasionat de acest gen de muzică. Love Parade începea să câştige teren(deşi au început paradele stradale abia în 91), apăruseră noi dj, dar nu erau atât de mulţi ca în ziua de astăzi....doar câteva nume mari precum WestBam, Sven Vath, Marco Bailey, Richie Hawtin, Jeff Mills, Carl Cox şi nou apărutul Umek. Colecţionam muzica lor: compilaţii, înregistrări video, discuri, orice avea legatură cu genul. Îmi amintesc că în 2001 când am fost la Budapesta am cheltuit o avere pe cd-uri originale ale acestor artişti. Ma refer la Mayday, Electric Kingdom, Love Parade, Plastikman, Jeff Mills. Ştiu că sună prosteşte dar chiar îmi plăcea să fac asta, asemeni unui ciudat techno-electro.
Acest lucru a fost de asemenea observat de doi dj de la mine din oraş. Unul dintre ei m-a invitat să învăţ să pun muzică la platane şi la un mixer Pioneer. Atunci am crezut că aceasta este şansa vieţii mele aşa că am profitat de ocazie iar în acea vară, în fiecare după-amiază, mixam underground într-un club, doar eu, tipul respectiv şi patronul clubului. Este o poveste lungă dar lucrurile s-au sfârşit acolo în scurt timp şi am apelat la un prieten foarte bun care tocmai cumpărase un set nou nouţ de platane şi un mixer. Lucram la el pentru moment. A fost frumos deoarece împărtăşeam aceleaşi viziuni, aceleaşi idei despre muzică şi aproape acelaşi stil. Trebuie să mai menţionez că mixam şi pentru unele posturi de radio în oraşul meu natal iar oamenii începuseră să mă cunoască din ce în ce mai mult, dar i-am părăsit cât de repede am putut din cauza unor certuri în legătură cu faptul că „muzica mea nu era suficient de comercială pentru mulţime”. Totul mergea ca pe roate iar cultura electronică se răspândea în toată ţara, făcând tot mai multe „victime”.
Pentru mine, cel mai bun la momentul respectiv era Sven Vath. Trebuie să menţionez că eram in 2002, atunci când au fost turneul mondial Fire, The Sound of the Third Session cu Richie Hawtin , şi aşa mai departe. Era de-a dreptul uimitor la acea vreme, mixând techno german amestecat cu hardcore şi acel stil ciudat al lui. În ultimii ani s-a schimbat foarte mult într-un sens negativ, sau poate Ibiza şi mulţimea l-au schimbat.
În 2004 m-am mutat la Cluj Napoca unde lucrurile au luat o cu totul altă turnură, mi-am cumpărat primul mixer iar la scurt timp mi-am luat altul şi mai mare cu 4 canale. Apoi am mers la Budapesta pentru a-mi cumpăra un controller. Şi uite aşa am sfârşit acolo.
În momentul de faţă folosesc Ableton Live conectat la un control midi şi câteodata folosesc şi un mixer. În ceea ce ma priveşte îndrăznesc să spun că pun un techno solid. Toata treaba cu minimalul este doar o influenţă, ca şi sunetele deep. De cealaltă parte trebuie să recunosc că nu sunt genul de om a cărui vis este să pună muzică în faţa unei mulţimi numeroase. Vreau să rămân mai underground, să pun şi să produc muzică acasă, pentru un grup mic de oameni sau pentru unii dintre prietenii mei. Îmi place să experimentez sunete şi efecte noi şi neexplorate şi tot ce are legătură cu acestea. Salutări tuturor!

//More info:

http://www.myspace.com/azbe

Task Kreed

2008-02-12T12:24:00.016+02:00

//Biog:

Numele nu va spune probabil nimic. Dar cu siguranta va va spune multe în curând. Task vine de la sarcina pentru ca Silviu Tanase adica Task_ Kreed are întotdeauna o sarcina de îndeplinit. Kreed de la îndeplinit, deoarece când îsi pune în cap sa faca ceva, ori face, ori nu se apuca daca stie ca nu iese. DJ undercover si undiscovered, Task_Kreed are la cei 20 de ani ai sai un simt deosebit al sunetului electronic. Mai ales când vine vorba de minimal-tech. În plus, da dovada de mult imaginatie si spirit ludic. Printre cele mai traznite idei care i-au trecut prin cap au fost sa-i fure Maven-ul lui Sasha si sa mearg în Anglia la toti DJ-ii acasa sau în studiouri. si sa ramâna acolo. A descoperit curentul electronic la sfârsitul scolii generale, prin muzica celor de la Prodigy, Safri Duo, Jean Michel Jarre si Orbital. Primul contact cu un mixer s-a produs în clasa a IX-a, când a fost unul dintre organizatorii balului bobocilor în Twice. Îsi aminteste de aceasta cu entuziasm: "A fost o senzatie extraordinara sa vada cum e sa ai un public în fata, sa încerci sa-i faci sa danseze pe muzica pe care o pui". Silviu este încrezator în fortele proprii: "Daca ar fi sa ma gândesc de ce mixez sau de ce îmi place muzica, as putea raspunde ca e singurul mod în care poti face oamenii sa traiasca alaturi de tine diverse stari emotionale".
Arta mixajului: Silviu a muncit serios pentru a deveni DJ. El s-a documentat, a încercat sa înteleaga structura pieselor, sa îsi creeze un mod de mixat urmarindu-i non stop pe DJ-ii care prestau în club. A urmat chiar si cursuri de mixaj. Vorbeste despre arta mixajului si spune ca “Totul a depins de mine, prin foarte multa munca si experienta.” A fost rezident în “Affinity” (fostul Tunnel). Considera ca stilul sau este utilizat de putina lume. Ingredientele care îl definesc sunt: personalitatea puternica, munca, ambitia si tehnologia: “Stilul meu îmi reflecta personalitatea. Când mixez îmi expun trairile, amintirile. Ma eliberez asa...ma exprim...îmi amintesc... gândesc.” De aceea, o sa regasiti sunete triste, greu de digerat, ritmurile acelea care sa îmi faca sa danseze sufletul si în acelasi timp si pe cel al publicului, deoarece în definitiv mixez pentru mine si pentru ei. Acesta este stilul meu, este... eu!”
Contract cu electrica Silviu îsi arata dedicatia fata de publicul sau la fiecare party. El îsi adapteaza tema setului sau, îl modeleaza dupa starile publicului. La ultimul sau party a mixat electroclash, pentru ca a dorit sa încerce altceva, un experiment. Cele mai frecvente peripetii de la party-uri au fost oprirea curentului pe principiul “Oricum întotdeauna sa te astepti la ceva când nu esti la un party mare sau chiar si atunci. Task_ Kreed încearca sa redea un sound nou printr-o combinatie de genuri care sa nu se asemene: minimal techno si glitch techno combinat cu electro bass. Accentul cade pe beat si mai ales asupra bass-ului profund sau ritmat care îi este specific si care te face sa te întrebi: Ce piesa este asta? O vreau si eu!

//Last Records:

http://soundcloud.com/task_kreed/task-kreed-live-underground-party-djset by task_kreed

http://soundcloud.com/task_kreed/task-kreed-live-privat-party-urban-27-02-09 by task_kreed

http://soundcloud.com/task_kreed/task-kreed-live-red-box-sighisoara-19-04-09-part-2 by task_kreed

//More info:

http://www.myspace.com/taskkreed

Limpid

2008-02-12T12:19:00.009+02:00

//Biog:

Muzica electronica ascult din 2002 si am trecut prin mai multe stiluri de la progressive, la break-beat, la electro pana astazi cand am ajuns la techno (un fel de). Numele de scena "Limpid" l-am gasit in dictionarul englez-roman si inseamna"clar", "limpede", asa cum imi place sa cred ca "simt" muzica. Am fost rezident in clubul Affinity in 2005, si de atunci am avut gig-uri in Bucuresti, la Sighisoarasi la Craiova. Stilul meu nu pot sa-l incadrez in vreo categorie dar pot sa-l caracterizez ca fiind energicagresiv, "adânc" si strident. Nu-mi place stilul comercial dar imi place si muzica originala din afara sferei electronicecum ar fi "Queen", "Led Zeppelin", "Hendrix" etc. Pentru mine a pune muzica nu tine de distractie, nu tine de crearea unei imagini,nu tine de fenomenul "cool",tine doar de trairile pe care le am si pe care incerc sa le transmit publicului. Multi mi-au spus ca nu am un stil bine definit si ca muzica este agresiva, dar place celor care o asculta.Pe mine ma intereseaza doar publicul cu care am un schimb de energie fenomenal cand mixez.De aceea nu-mi place sa fac promo-uri pentru ca nu-mi place ideea ca cineva sa stea in fotoliu ascultandu-mi muzica. Eu vreau sa stea in fata mea si sa il vad cum se ridica din fotoliu si incepe sa danseze. In definitoriu,Dj-ul e un "entertainer", si cum poti sa fii entertainer daca nu ai un public in fata?! Dj preferati: nu stiu cu ce sa incep...deci o sa ii iau cum imi vin in minte: Deep Dish (2002-2004, nu cei de acum), Sasha (un dj inimitabil),Digweed (cel mai calm om pe cea mai agresiva muzica), Anthony Pappa (prea "mare" ca sa incapa in top 100)Steve Lawler (un entertainer adevarat marca Ibiza), Richie Hawtin (e cu adevarat spalat pe creier), Sven Vath (parca se distreaza mai bine el decat publicul)Timo Maas (nu mai tin mite nimic dar mi-a placut), James Holden (mai nebun ca Hawtin)...as fi scris si Zabiela darcei care asculta Zabiela in momentul asta il pun in aceeasi oala cu Morandi sau 50 Cent, asa ca.....scriu si Zabiela dar ce facea el prin 2003. Producatori preferati: Lutzenkirchen, Stephan Bodzin, Oliver Huntermann, Duoteque, Andrea Doria, Perc, Alex Kenji, Steve Angelo, Sebastian Ingrosso etc. Albumul Preferat: Sasha - Involver Dj romani: Rhadoo, Livio

//Last Records:

Limpid - Eternal Mind Playin' Sounds by task_kreed

//More info:

http://www.myspace.com/limpid

Homing Pigeon

2008-02-12T12:15:00.003+02:00

//Biog:

La varsta de 5 ani visa sa ajunga star rock. La varsta de 10 ani visa sa ajunga un fotbalist celebru. Aceste vise au disparut ca orice alte vise copilaresti. Acum la varsta de 20 ani este un tanar ambitios, pasionat de muzica electronica si are un nou vis…sa devina un DJ foarte bun. Si nu mai este un vis de copil…

Primele lui contacte cu muzica au fost foarte slabe. Universul lui musical era limitat la ce asculta la radio, TV sau la casetele cu muzica veche ale parintilor. Poate de aceea inca nu era constient de muzica ca fenomen. Totusi asculta cu placere muzica unor trupe ca Queen, Beatles sau Smokie. Cunostintele sale muzicale au cunoscut un reviriment atunci cand si.a achizionat primul PC la varsta de 14 ani. Dupa o scurta perioada in care asculta orice fel de muzica ii pica in mana, a avut primele contacte cu muzica electronica. Prodigy, ATB, Scooter, Chemical Brothers sunt numai unii dintre artistii care au avut o influenta asupra acestui tanar. Totusi dupa o perioada a inceput sa simta nevoia pentru ceva nou, pentru ceva mai necomercial decat ceea ce ascultase inainte. Era liceean cand a descoperit pentru prima data muzica “de club” prin intermediul unui prieten care ii imprumutase niste CDuri. Impactul a fost decisive. A inceput sa caute febril noi melodii, sa descopere si sa cercetze noi stiluri. Noaptea cea mai importanta, cea care avea sa.i schimbe viata, a fost cea cand in clubulde muzica electronica din oras au venit John Creamer & Stephane K. A ramas fascinat de ce faceau DJii cu aparatura de club, de multitudinea de butoane si de cum suna acea muzica. S-a imprietenit cu rezidentul acelui club si de atunci a petrecut mult timp stand si privind, invatand, iar dupa un timp a inceput sa puna muzica acolo. La scurt timp dupa aceasta a inceput sa organizeze petreceri de after in Craiova, dupa care a avut un scurt rezidentiat in clubul Korona. Dar simtea ca oportunitatile sale in Craiova erau limitate. Asa ca s.a mutat la Bucuresti. Aceasta este pe scurt povestea lui John aka Homing Pigeon.

//More info:

http://www.myspace.com/johnmccrow

Fouchat

2008-02-12T12:13:00.006+02:00

//Biog:

Razvan Sarbu pe numele sau real,nascut in octombrie 1986,a inceput a practica muzica la varsta de 6 ani,studiind vioara timp de 12 ani ,fiind absolvent al liceului de muzica ‘’George Enescu’’.
Primul contact cu muzica electronica l-a avut la 8 ani cu ajutorul lui Jean Michel Jarre,ale carui inregistrari video le urmarea zilnic,fiind fascinat de imbinarea muzicii cu arta vizuala, iar dj-ul de care a fost atras pentru prima oara este James Zabiela.
In 2004 invata sa mixeze,in ideea de a realiza imbinari cat mai reusite intre piese,idee care in timp a evoluat spre dorinta de a-si forma stilul si cursivitatea muzicala.
Artisti preferati : Kerri Chandler,Osunlade,Louie Vega,Dimitri from Paris(artist care i-a apreciat unul din promourile sale) ,Derrick May,Carl Craig,Joris Voorn,Danny Howells, iar ca stiluri prefera deep soulful tech house,ajungand pana la melodic techno.
Locurile in care a mixat sunt petreceri private,Club Kado,Studio Martin,Nagual,,Frame,
Embryo,Spot,Fuchsia,Propaganda,Office(Sighisoara).
Muzica iti poate oferi multe stari,sentimente,drumuri,important e sa fie inteleasa !

//More info:

http://www.myspace.com/fouchat
http://www.fouchat.ro/

Cristi Cons

2008-02-12T12:11:00.003+02:00

//Biog:

Nascut in 1987 in Craiova,practica violoncelul de la varsta de 7 ani la Liceul de arta "M.Sorescu" Craiova.In prezent este student la Universitatea Nationala de Muzica Bucuresti .
A inceput sa asculte muzica electronica de la 15 ani incepand cu trupa Prodigy.La 16 ani frecventa clubul de muzica electronica din Craiova unde ramane impresionat de muzica lui Rhadoo.
Invata sa mixeze intr un club privat de muzica electronica si incerca sa si descopere stilul ascultand cat mai multa muzica.Se indragosteste de stilul minimal atunci cand a aparut in tara,trece peste acea etapa si in prezent mixeaza detroit techno,un stil de care nu se poate departa,preferintele sale ajungand pana la deep house,soulful,disco house.
Influentele sale sunt:Derrick May,Kevin Sauderson,Masters at Work ,Dimitri from Paris,Kerri Chandler,RicardoVillalobos,Rhadoo,Pedro.
A mixat in:Avangarde,Pulp,Korona,Versus,All Stars(din Craiova),Zoom(Targoviste)Office(Sighisoara),Why Not,Kado,Propaganda,Fuchsia,Frame(din Bucuresti).
Considera ca studiile muzicale l au ajutat foarte mult sa inteleaga muzica si sa aprecieze trairile si inspiratia oferite de aceasta.

//More info:

http://www.myspace.com/kristidorien

about [nutation]

2008-02-09T12:34:00.002+02:00

[nutation] is one of the few romanian labels, being exclusively dedicated to clubbing music, focused on: minimal , minimal tech, techno, with dark influence.
Created at the end of 2006 by Task Kreed as netlabel and at the end of 2009 transformed in label,The label’s objective is to promote his specific electronic sound, created by his members and to promote them, too.
[nutation] can be translate through values as passion and respect for electronic music, quality, innovation, performers creativity and personality; making itself noticed through its specific and distinct sound,as well as though its representative and original layout.

Our releases are available at : JUNODOWNLOAD, DJDOWNLOAD, BEATSDIGITAL for now...

------------------------------------
EP releases

[nuEP01] Task kreed - maya
[nuEP02] Reaper - perc ON
[nuEP03] Task kreed - underpass to ...
[nuEP04] Shane Bugai - Splinter
[nuEP 05] Reaper - Construction kit

Podcast releases

[nu podcast 01] Aviator - promo record
[nu podcast 02] Tom Azbe - promo record
[nu podcast 03] Limpid - I.F.M.A
[nu podcast 04] Homing Pigeon - Ignition
[nu podcast 05] Cristi Cons - Splash
[nu podcast 05.1] Task Kreed & Bibicu - Profound Sound
[nu podcast 06] Limpid - Fast Lane
[nu podcast 07] Cristi Cons - Calmness
[nu podcast 08] Fouchat - Interfaces
[nu podcast 09] Reaper - Thrasher
[nu podcast 010] Shane Bugai - night of the living dead
[nu podcast 011] Sakid - underdome riot
[nu podcast 012] 88uw - developers
[nu podcast 013] Keep On - Conscience
[nu podcast 014] zwei Töne - auf dem Weg zur Hölle